![]() ![]() Integrity to the source is always the most desirable yield from aĭetail is hardly what one would consider "robust." On Blu-ray, the picture's best asset is its resolution. But if this is Miami Vice as Mann intended, and it mostĬertainly all but is, all criticism can essentially be thrown out the window. Sloppy, by design, it's difficult to "fault" any step of the process beyond the source. ![]() Indeed, it is a messy looking movie." "Messy" is certainty an apt description, and with a picture that is so inherently The outrage that has erupted over Miami Vice seems toįrom its noisy and gritty look. On HD video, much like Mann's prior film Collateral. Michael Mann and cinematographer Dion Bebee shot the movie ![]() Dating all the way back to 2006, the review states, "much has been made of the visual look at this movie andĪcross just about every internet forum where Miami Vice has been mentioned. Looks like a botch job, but this is more or less the picture Director Michael Mann and Cinematographer Dion Beebe composed and shot for the film.īlu-ray looks very similar. Flickering is commonplace, soft focus and smeary edges abound, and dense noise permeates the entire frame in virtually every shot. Is it another lower grade Mill Creek transfer? No, this is Michael Mann's vision for the film, for better or Look "good" by any stretch of the imagination. Normally, something that looks as poor as Miami Vice would instantly draw the collective videophile world's ire and anger. It appears that Mill Creek has simply ported over the same transfer from the previous double feature Blu-ray. ![]()
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